Can you briefly describe your position?
In my position, I help create new nonfiction programs
(i.e., magazine shows, game shows, specials, docu-series
and reality programming) and I oversee existing reality
shows for Lifetime Television. I am responsible for taking
pitches from producers in the creative community, developing
new show concepts, and managing producers who are working
on shows that are already on the air.
What
was your first “big break”? Or, what is
the most significant experience you had that made it
possible for your success today?
After graduating from college, I was interested in news
and politics and went to work for ABC News in New York.
While at ABC, I worked as a researcher for Nightline
during the first Gulf War. This was an intense time
in news. My work had to be precise and I had to be extremely
efficient with my time. Accuracy was key. We worked
around the clock. I had to apply myself to the task
at hand, be able to respond quickly to breaking information,
and work in a team environment. The work ethic I learned
during this period remains with me today.
How did you transition from a traditional law
career to developing television programming?
Since I had worked in news right after college, I knew
I wanted to pursue a career in media. I went to law
school to learn more about the legal, business and management
of media and entertainment. I knew I did not want to
practice law in the traditional way, but I still took
and passed the New York bar. During law school, I did
freelance producing work in the summers for ABC news.
When I graduated, I had a six-figure offer from a law
firm which I turned down and begged my way into a job
as a TV news reporter in Las Vegas that paid under $20,000
a year! My parents thought I was crazy but I knew I
wanted to build my career in media and I learned so
much in that job.
After a while, I left Las Vegas for Los Angeles and
have continued my career here. Now I am exactly where
I want to be: helping to develop the vision of a network
by building its content and programming. I believe TV
is an enormously powerful medium because it has the
power to entertain and to educate. That’s what’s
exciting to me.
Are there any ways that you feel Georgetown
especially prepared you for what you are doing now?
In my job, I am often required to review contract
language and participate in the negotiation of deals.
My law degree from Georgetown has given me the tools
I need to address these matters. Many of the issues
I studied in Constitutional Law, Copyright Law, Entertainment
Law, Contracts and Torts apply to my everyday work.
Law has proven to be an invaluable resource for me.
What is your best advice to those who are starting
out in your field?
Work hard and keep your nose out of the fray.
Can you share some information about one
of your current or upcoming projects that you are
most
excited
about
and why?
We have several series and specials in the works for
2004 and 2005. Many of the projects are still being
hammered out so I cannot talk about too many of them
right now.
I will tell you about one of the specials... one that
we are hoping will be a big hit. This summer we will
air our own version of the hit 1950s show, “Queen
for a Day.” This is a great feel-good special
in which after a nationwide search, one everyday woman
is crowned Queen for a Day and is showered with prizes
and gifts.
In 2004, several of our existing series have been picked
up for another season. We will be building a strong
Friday evening block with our makeover show “Head
2 Toe” and our wedding/decorating show “Merge”.
We’ve had great success with these two shows.
We attribute this success to the fact that, at their
core, both shows are about relationships. In “Head
2 Toe”, best friends make each other over and,
in “Merge,” couples agree to let a design
team merge their belongings while they are away on a
honeymoon.
Also coming back to Lifetime for another season is “What
Should You Do?”. This season we’ve added
Leeza Gibbons as host to the show. The show re-creates
true stories about people who have had to respond to
an urgent, unexpected crime or medical, survival or
legal challenge in a mini-movie format. At the end of
each story, experts and our host tells viewers what
they should do if they were in that situation. We have
had a great response to this show. Oprah picked it up
and based two of her shows on two of our shows.
What trend(s) do you think may emerge to bring
change to your business five or ten years from now?
Nonfiction/reality programming will begin to replace
television commercials as a key platform for advertisers
to “sell” their goods.
With the advent of personal video recorders (PVRs) and
other devices that are allowing viewers to skip over
traditional commercials while watching their favorite
shows, advertisers are looking for new ways to “sell”
their products to viewers. Reality programming has been
a great platform for this.
Products and advertiser’s messaging lines can
be easily inserted into many reality formats. Viewers
expect to see “real” products in a nonfiction
show, so they are not taken out of the moment when they
see a label, a logo, a name brand in a nonfiction show.
Whereas in scripted television dramas and comedies,
product placement and/or messaging can seem contrived
and out of place—not organic to the format. Because
reality programming lends to product placement and messaging
more than other formats, advertisers will be looking
to this genre as a new generation of “commercials”.
Most networks are already working with advertisers to
find creative ways for advertisers to “buy”
time on any given channel. Many have already successfully
used reality programming to benefit advertisers. I think
we will only see more and more of this in the future.

Colette Shelton is Director, Reality Programming, for
Lifetime Television, responsible for development of
original reality series and oversight of current reality
series and programming. While at Lifetime, she has worked
on a wide variety of series and specials ranging from
talk shows, primetime magazine shows, and game shows,
to awards shows and concerts. Her credits at Lifetime
(past and present) include among others: Merge,
Final Justice with Erin Brockovich, What Should You
Do?, Women Rock (I-IV), Unsolved Mysteries, Head 2 Toe,
Lifetime's Speaking of Women's Health, Operation Style.
Prior to Lifetime, Shelton had been a producer for E!
Entertainment Television. While at E! she produced for
a live daily news show and show produced several specials.
Her credits at E! include: E! News Daily, E! News
Daily Special: Leonardo!, E! News Daily Special: ER
100 Episodes, and Sideshow Celebrities.
Before turning to entertainment, Shelton was a television
news producer for both national and local news organizations.
During her news career, she worked for WCVB-TV in Boston,
ABC News in New York (Nightline, World News Saturday/Sunday,
Business World) and Los Angeles, and Hearst Broadcasting
in Washington, D.C. She was also an on-air television
news reporter for the NBC affiliate in Las Vegas, KVBC-TV.
Shelton holds a Bachelor of Arts (B.A.) degree from
Wellesley College and Juris Doctor (J.D.) from Georgetown
University Law Center. Shelton is a licensed attorney
in the state of New York and is a member of the New
York State Bar Association.
In Los Angeles, Shelton has also served as a board member
for the Museum of Contemporary Arts Contemporaries.
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